GODZILLA – FILM REVIEW – ***SPOILERS (after the review)***

“He’s Not a Monster . . . He’s A GOD”

This first part of my review will cover the ‘updated’ review; I first saw Godzilla opening night at 7:00pm Pacific time, and again the next day at 7:00pm again! Within 24 hours seeing Godzilla on opening weekend and not only am I adding some more plots to my review, but upping my score. That will come soon 😉

So to start off, after seeing the film again, I was able to focus and capture more of the score and music. It has to be one of the best scored films I have seen in quite some time. The riveting echoes of the instruments with every roar of the MUTO, every stomp and rise of Godzilla, every death, every suspenseful moment, nothing was missed to ensure the score would enhance each scene. I am no expert in music, scores of films, instruments, and so on,  but let me tell you, when you just listen, and take in the sounds instead of just watching the death, the fire burning, the lost hope, or the joy and victory, it truly emulates a new feeling for movie-goers. Just as the Star Wars has had the marvelous John Williams, each scene is echoed through the score. Godzilla did not disappoint.

Another thing I did not touch too much on in my original review was the aspect of Godzilla himself and the MUTOs, in regards to destruction; (read below for my thoughts on the design and development). Stating again, I love the new design of Godzilla, very ‘classic’ like, with deep green eyes, a ferociously-fearsome-cringing roar; and the MUTOs, male more of a moth+bat cross, and female of a spider crossed with Cloverfield. But as far as destruction to the cities and world itself . . . it felt almost like any other Godzilla film, plus a few cities. Not to spoil anything, but the destruction path is from Hawaii, Nevada (Las Vegas), then San Francisco . . . and that is all about that is shown. With the sheer magnitude of 3 MUTOs, the destructive force of the American Military, and the path all three were on, I was hoping and EXPECTING a more Pacific Rim type or hell even War of the Worlds types of destruction. (By the way, those who have seen WotW might recognize some similar scenes *cough burning train cough flaming tanks cough*). Honestly, the destructive path seemed minimal; would it have hurt to add some footage here and there showing each or at least the major cities affected? Sheesh one MUTO came all the way from the Philippines!!
But again, as I brought up in the original, there was major lack-of-Kaiju-love and too much human drama; some moments were essential, some moments were done very well . . . while other moments could have been shortened, or removed completely. I would not have minded an extra 20 minutes of film time to get more Kaiju action, Gojira vs. MUTO.

It is time for my new score, and besides doing a full run-break down-average, I will stick with my usual straight up one line score; this time I give it a 9/10.!

Godzilla has roared back into theatres for 2014 . . . BUT did all the hype really live up to her . . . I mean, his name?

Directed by Gareth Edwards (Monsters, the movie almost no body has heard about unless you live in the UK, sorry chaps) also starring Bryan Cranston (Breaking Bad), Aaron Taylor Johnson (Kickass), Ken Watanabe (Inception, The Last Samurai), and David Stratairn (Bourne series) Godzilla has an all around great cast to coincide with the giant lizard-dragon-dinosaur, but there actual roles don’t seem to live up to a Godzilla-szied film. **[For review’s and readers’ sake, I will include the plot/spoilers at the bottom of the article so everyone can still read my thoughts] **

Godzilla in 2014 is very classically designed, with the monstrous legs and body, screeching roar very unique to himself, and of course the special-bonus-attack-move you will have to watch the film to see for yourself! Overall, the new Godzilla design had me skeptical at first, thinking the head is too small, the body is too fat, the roar sounds too much like the THX surround . . . but after finally catching all the viewpoints and sights of this God, I have to say it is my favorite Godzilla and probably the best there has been! (My second favorite being Godzilla 1998, DON’T HATE! I love the giant iguana-dino look and plus how can you hate Matthew Broderick??) Any who . . .and the design of the MUTOs, well . . .I was never really a fan of the other beasts and creatures from the Godzilla series (don’t get m started on space-zilla) but these MUTOs looked very robotic, moth-like, and still freaking cool. The male, smaller, with wings, and the female, much larger without wings, huge spider like legs, and a roar incomparable to Godzilla, but still menacing and turning heads!

Now for the acting . . .I am a HUGE Bryan Cranston fan . . . without spooling anything, all I will say is that they basically used him as little as possible while still being a huge contribution to the plot. But, for the moments he was included, Cranston brought his usual and absolute A+ game, with strong emotions, riveting cries, and the kind of acting you will always recognize as that of Bryan Cranston.
Aaron Taylor Johnson, the famed Kickass star playing . . . Kickass . . . was, well, he had a very Kickass-personality like. He was serious for most of the film, not much change from stern to grief to fear, with few moments of joy. I find it difficult to pinpoint my thoughts on Johnson, as he is a decent actor, but even his public appearance hinders his roles; I saw him during the SDCC 2013 panel for Kickass, and not once did he look up to the crowd, or speak in an amplified volume, very low, calm tone and personality; maybe that implies his acting style, but none the less, not a terrible choice for the film.
Dr. Serizawa, played by Ken Watanabe, a some-what infamous actor, not to the fans who recognize and followed him through Inception, Batman: Begins, or The Last Samurai, but still not as big as Cranston. I personally loved his casting, having a very poetic, sensei type, depicting right from wrong, but even then, it seems as though the writers did not know how to really involve him with the film . . . or they just did not want him speaking so much. Either way, I am a fan of his and enjoyed the moments which counted with him.
Other than these three, I don’t really see any other actor or actress worth mentioning, as the rest were portraying either minor to minimalist roles.

Overall, between Godzilla, the MUTOs, and human characters, there was definitely NOT enough Godzilla!! What gives!? The TITLE of the film is G-O-D-Z-I-L-L-A! Major fight sequences did not take place until the last third of the film, and even then, the first moments were blinks of roars or bites seen through smoke or the goggles of the para-troopers. There was definitely a low focus on not only Godzilla fighting, but also Godzilla’s appearance until the second half, as well as the overall story and origin of Godzilla himself . . . the story mostly focuses on either the MUTO creations or uprisings, and Ford Brody’s (Johnson) life and family. Considering all the hype and trailers showing the king of Kaijus, I would have liked even more Godzilla! Hell 1998 Godzilla popped him out of the ocean in the first half hour! But, don’t get me wrong, the few scenes with Godzilla DID make my jaw drop, gasp for excitement, and cry for joy to see Gojira roar and bite and stomp and swim away!

Lastly for my review, the plot . . . again, as mentioned before, overall it mostly focuses on Brody’s (Johnson) character;s life and family, as well as MUTO, and not so much Godzilla. Viewers and fans essentially get the idea, and, straight from Serizawa (Watanabe) that Godzilla is a defender of the human race, an alpha predator come to bring balance to nature’s forces. Not a destructive creature sent or created by nuclear tests to destroy New York or Tokyo . . . but instead San Francisco (why? I have no clue). But the ‘origins’ are minimally stated and not so much discussed even with sightings throughout history of the monster. What I am mostly concerned of is the future of this new Godzilla reboot. After seeing this film, any movie goer, whether liking it or not, will or at least should think ‘they will make a sequel’. But per Gareth Edwards’ kind words, he says the film was made “as a beginning and end; if the film is good, others can come; but let’s just pay attention to this and not get sidetracked by other things”. To me, it seems Edwards is very uninterested in a sequel and figured he can cash in on a single film . . . yet the ending will leave you wanting and KNOWING that more Kaiju (or King Kong) will rise and Godzilla will return to fight another day!

Before seeing this film, I also highly recommend purchasing the new graphic novel ‘Godzilla: Awakening’. A fantastic read (which sold out almost everywhere on day 1) and shows a start or awakening of Godzilla. For Pacific Rim fans, if you read ‘Tales from Year Zero’, it is similar as a prequel to the film!

My overall score? this will be the first time I divide scores and put an average, as well as a direct rating, versus my usual review method of balancing out a final score. So here is my breakdown:
Godzilla/MUTO design: 10/10
Acting: 5/10
Plot: 7/10
Potential story for a sequel: 9/10
CGI/Design: 9/10
Godzilla-ness [was there enough Godzilla?]: 6/10
Score: 9/10
Writing: 7/10
Cinematography: 9/10
Reflection of Classic ‘Zilla: 10/10

Total Average: 81/100, essentially 8/10

My usual grading: 8/10

So they work out to be just the same, but I still highly recommend this film, go out this weekend, grab some popcorn, sit back, relax, and let the roar of Godzilla sway you into an eye popping experience.


So, the film starts off similar to the Godzilla (1998) film with black and white images and clips of nuclear testing, Gojira sightings, military personnel, classified info, the whole hush-hush stuff. After the intro, it slowly transitions from scientist Serizawa (Ken Watanabe) finding a very interesting find of giant fossils, to Joe Brody (Bryan Cranston) who is the plant manager of the Nuclear Power Plant in Janjira, Japan in 1999. ‘Seismic Activity’ as what it is known as, eventually causes a major disruption and sort of the ‘news lead’ of the modern day into the monsters of the film. The seismic activity causes blackouts and the fall of the plant, also killing Brody’s wife. 15 years later, to today 2014, Joe Brody’s son, Ford Brody (Aaron Taylor Johnson) is in the military as an explosives ordinance disposal unit, and has a wife and son; his father still in Japan investigating on his own the causes of the incident at Janjira and others around the world. He persuades his son to go back to their home near the plant to collect old data he had before the plant collapsed. Military personnel ‘arrest’ Joe and Ford and interrogate Joe; but he knows there is something out there as Serizawa watches through the one-way mirror, knowing this man is the key to it all. The place they are taken is a ‘testing’ area built atop the old nuclear plant, where a cocoon is found housing some sort of organism, which releases seismic activities and EMP waves knocking out electrical equipment. The now MUTO arises and stomps away, obliterating the area with the sheer size and power, critically injuring Joe Brody and eventually, after escaping, bringing in the US military to take control of the situation. Unfortunately, Joe Brody (Cranston) dies shortly thereafter, leaving fans thinking what was the point of casting him if his role was so grand yet had nothing after the first 20 minutes. To cut out some non-important pilot points, essentially the MUTO which escaped is the female with eggs, later arising a male MUTO outside Las Vegas, and again later arising GODZILLA from the ocean depths to hunt the MUTOs. Basically, the MUTO’s are nuclear-based organisms who feed off anything radioactive. Godzilla, not he other hand, is an ancient ‘dinosaur’ or creature which has stood against the test of time, and nuclear attacks, to become the alpha predator. Eventually, the three end up in San Francisco, have their big battle, writers making us think Godzilla almost dying twice, both the MUTOs dying, and of course, Godzilla unleashing his super-sonic-plasma-blue flame-roar of death and destruction!! The best part being the death of the female, when Godzilla rips open her mouth, and implodes the nuclear roar into the body, ripping off the head. Of course, before the epic major fight, there are plot points here and there which, sort of add to the overall story, but there is minimal focus on the Kaijus throughout the film, and even less of Godzilla himself until the end. Godzilla also almost dies twice, then come to find out he is only unconscious, and at the end swims away back into the ocean . . . sequel?